This document is a topical index to all 38 issues of Katúah: Bioregional Journal of the Southern Appalachians.   Katúah: Bioregional Journal of the Southern Appalachians,  later simplified to  Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The second issue of the Katúah Journal focuses on various topics such as black bears, the Pigeon River pollution, effective political involvement, and bioregional citizenship. Authors and artists in this issue include: Martha Tree, J. Linn Mackey, Snow Bear, Marnie Muller, Chuck Marsh, Kathryn Stripling Byer, Sharyn Jayne Hyatt, Gayle Knox, Chip Smith, Van Wormer, and Joseph Chapman.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The sixth issue of the Katúah Journal focuses on topics such as Cherokee mythology and art, Winter Solstice ceremonies, log cabin history, mountain farming, and the Horsepasture River. Authors and artists in this issue include: Steve Nelson, Barbara Reimensnyder, Martha Tree, Drew Langsner, Thomas Rain Crowe, William Taylor, Gogisgi/Carroll Arnett, J.Ed Sharpe, B. Oldham, Chuck Marsh, Marilou Awiakta, Chip Smith, and David Liden.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The ninth issue of the Katúah Journal focuses on topics such as nuclear energy, pollution and the forests, and other challenges with trees. Authors and artists in this issue include: H. M. Spottswood, Michael Red Fox, Brian Caldwell, Gus Hadorn, Walton B. Smith, David Wheeler, and Thomas Rain Crowe.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The twelfth issue of the Katúah Journal covers a variety of topics, including, nuclear energy issues, shiitake mushrooms, trout farms, and the Cherokee people's historic use of tobacco. Authors and artists in this issue include: Joe Hollis, Rhea Rose Ormond, Avram Friedman, Michael Red Fox, D. Newton Smith, Rob Messick, Corry, Ise Williams, David Wheeler, Stephen Wingeier, Jerry Trivette, Perry Eury, and Marnie Muller.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The thirteenth issue of the Katúah Journal focuses on the theme of death as a natural part of the life cycle and hospice. The feature story is on the Center for Awakening, a hospice founded by Elizabeth S. Callari in Boomer, North Carolina. Authors and artists in this issue include: Marnie Muller, Nena Parkerson, David Wheeler, Turrin Keye, Martha Laurie Overlock, George Ellison, Kalanu, and Rob Messick.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The fifteenth issue of the Katúah Journal focuses on women: Francis Goodrich's settlement work, Lislott Harberts' Forest Care business, midwife Susie McMahan, the Cherokee matriarchal culture and various resources for women in general. Authors and artists in this issue include: Jan Davidson, Patricia Claire Peters, David Wheeler, Angela Griffin, Rob Messick, Ise Williams, Marnie Muller, Tata Andres, Linda Mathis, Colleen Redman-Copus, Martha Tree, Patricia Shirley, Gary Davis, Julia Nunnally Duncan, Donna VanLear,  Marcia Hurlow, John Grey, Donald Morton, and Douglas A. Rossman.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The sixteenth issue of the Katúah Journal focuses on the initiations and rituals surrounding the coming of age and the maturation of young people. Authors and artists in this issue include Tata Andres, Snow Bear, Patrick Clark, Maggie Schneider, Rob Messick, Burt Kornegay, Stephaen Delor, Didier Cuzange, David Wheeler, Curry Morris, Doug Silsbee, John Lane, Clyde Osborne, Will Ashe Bason, Michael Hockaday, Nancy Barnhardt, Thomas Dale Cowan, and Mara Bradburn.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The eighteenth issue of the Katúah Journal focuses on vernacular shelter: log, frame, stone, yurts, earth-shelters, and membrane houses. Authors and artists in this issue include: Sam Gray, Adam Cohen, Greg Olson, Marnie Muller, Scott Bird, Rob Messick, Snow Bear, Rita Sims Quillen, Julia Nunnally Duncan, Michael Hockaday, Rob Messick, Martha Tree, Barbara Kirby, Colleen Redman, Bern Grey Owl, Douglas A. Rossman, David Wheeler, and Christina Morrison.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The nineteenth issue of the Katúah Journal focuses on springtime, plants, and the New Age movement: gardening with "nature intelligences", rooting blueberries, native plants, and herbal medicine. Authors and artists in this issue include: Michael Hockaday, Clyde Hollifield, Janeice Ray, Lucinda Flodin, Will Ashe Bason, Karen Watkins-Decker, Christina Morrison, Elaine Geouge, Sheli Lodge, Martha Tree, Brian Ellis, Stephen Wing, Diane Yeager, Colleen Redman, Rose Morningstar, and Ellen John.

Beginning this issue, the title of the journal was simplified to Katúah Journal. A quarterly publication, it was published from 1983 to 1993 and was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The twenty-third issue of the Katúah Journal focuses on varied topics such as the ancient ways of the first people groups in Appalachia; "Planet Art;" tulip poplar trees; the Black Swan Center; and environmentally-friendly economics. Authors and artists in this issue include: Kim Sandland, Denise Newbourne, David Morris, Doug Elliott, James Rhea, Jerry Trivette, C.B. Squire, Elizabeth Griffin, Gil Leebrick, Michael Hockaday, Sheli Lodge, Rob Messick, David Wheeler, Dolores LaChapelle, Martha Tree, Laura E. Jackson, and Jackie Taylor.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The twenty-fourth issue of the Katúah Journal focuses on peace in the mountains: settling controversies; a look at the Oak Ridge Reservation; and promoting peace through community building. Authors and artists in this issue include: David Wheeler, Judith Hallock, Patrick Clark, Richard Lowenthal, Heather Pittillo, Marnie Muller, Rob Messick, Will Ashe Bason, Marnie Muller, Milo Guthrie, Mary de La Valette, "kent," Jim Houser, Charles Rampp, and Melanie Bridges.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The twenty-sixth issue of the Katúah Journal focuses on children and parents: their roles in family and in the bioregion. Authors and artists in this issue include: Thomas Berry, Samala Hirst, Ellie Kincade, Linda Metzner, Lucinda Flodin, Martha Perkins, Jan Verhaeghe, Christina Morrison, Karen Watkins, Doug Woodward, Trish Severin, Susan Griesmaier, Aviva Jill Romm, Tom Youngblood-Petersen, Rob Messick, Will Ashe Bason, Jermain Mosely, Marnie Mikell, James Rhea, Martha Tree, and David Wheeler. This issue also features an interview with Bonnie Blue, puppeteer.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The twenty-seventh issue of the Katúah Journal focuses on holistic healing: personal and planetary. Authors and artists in this issue include: Richard Lowenthal, David Wheeler, Sam Gray, Doug Aldridge, Rob Messick, Stephen Wing, Lisa Sarasohn, Snow Bear, James Rhea, Kim Sandland, Sandra Fowler, and Susan Adam.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The twenty-eighth issue of the Katúah Journal focuses on "carrying capacity:" growth, development, and population of human systems in relation to the environment. Authors and artists in this issue include: David Wheeler, Stephen Bartlett, Rob Barron, Will Ashe Bason, Chip Smith, Lee Kinnaird Faween, Marnie Muller, Jim Houser, Patrick Clark, Hectáire P. Condeau, D. Goode, James Rhea, Marie Wood, and Susan Adam.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The thirtieth issue of the Katúah Journal focuses on regional economics, development, and ecology. Authors and artists in this issue include: David Wheeler, Thomas Power, Rob Messick, Will Ashe Bason, Rodney Webb, Henry Eckler, Griscom Morgan, Snow Bear, Gary Lawless, Jim Clark, Ernest Womick, Millie Sundstrom, Lee Barnes, David Haenke, Richard Lowenthal, Rodney Web, Jim Houser, Charlotte Homsher, Martha Tree, Stephen Petroff, and Rob Leverett.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The thirty-first issue of the Katúah Journal focuses on "earth energies" and humans' reconnection with the earth through dowsing; earth healing and Earth Energy workshops; and understanding the Earth grid. Authors and artists in this issue include: David Wheeler, Madeline H. Dean, Joyce Holbrook, Clyde Hollifield, Richard Nester, Charlotte Homsher, Page Bryant, Richard Lowenthal, James Proffitt, Lee Barnes, Jim Houser, Emmett Greendigger, Ivo Ballentine, Rob Messick, David McGrew, George Agricola (1556), Douglas A. Rossman, and Mara.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The thirty-fourth issue of the Katúah Journal focuses on sustainable agriculture and regional diet. Authors and artists in this issue include: Joe Hollis, Hugh Lovel, Ralph Garrett, Peter Bane, Perry Eury, Allison C. Sutherland, Bear With Runs, Mark Schonbeck, John Ingress, Lee Barnes, Charlotte Homsher, Rob Messick, David Wheeler, Emmett Greendigger, Michael Thompson, James Rhea, Dawn Shiner, Troy Setzler, Erbin Crow, Caroline Rowe Martens, and Susan Adam.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The thirty-fifth issue of the Katúah Journal focuses on councils and consensus in governance and making decisions for the future. Authors and artists in this issue include: Caroline Estes, Joyce Johnson, Rob Messick, Bear With Runs, Lucinda Flodin, David Wheeler, Stephen Wing, Lee Barnes, Will Ashe Bason, Clear Marks, Karen Fletcher, James Rhea, Rhea Ormond, Ray Barnes, Michael Thompson, Troy Setzler, Taylor Reese, Rebecca Wilson Hicks, Jenny Bitner, and Ahwi Brown.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The thirty-sixth issue of the Katúah Journal focuses on wood and its role in mountain life: logging, wood products, and forest stewardship. There is also an announcement that publication of the journal will cease in 1993. Authors and artists in this issue include: Lee Barnes, Frank Hodgin, David Wheeler, Dr. John Wade, Harley Wessman, Nancy McIntyre, Buzz Williams, Robert T. Pershcel, Jesse Jones, Leon S. Minckler, Tucker Windover, Charlotte Homsher, Rob Messick, Julia Vanselow, Frank Vogel, Michael Thompson, Susan Klimczak, Jeff Zachary, Susan Parker Weatherford, Mark Anderson, Hope Walker, and "Pegi."

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The thirty-seventh issue of the Katúah Journal is dedicated to creative works that represent bioregionalism and biovisions: stories, essays, drawings, and local legends. An announcement explains that, while the publication is coming to an end in 1993, there are plans to continue the Katúah Organization which will focus on bioregional projects. Authors and artists in this issue include: Dennis K. Frederick, Rob Messick, Will Ashe Bason, James Rhea, Barbara Wickersham, Fran Freudenberger, Lucile Morgan, Bob Johnson, "Pegi", Charlotte Homsher, Doug Elliott, Michael Thompson, Gerald George, and Rhea Ormond.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The thirty-eighth, and final, issue of the Katúah Journal focuses on sustainable tourism and transportation that is environmentally and culturally responsible. Authors and artists in this issue include: Marcus L. Endicott, Michal Smith, Lee Barnes, Patrick Clark, Mark Schimmoeller, Billy Jonas, Renee Binder, Charlotte Homsher, Douglas A. Rossman, Robert H. Rufa, David Cohen, Brownie Newman, Jasper Carlton, Danielle Droitsch, Stephen Wing, Jan Adkins, Elizabeth Howard, Denise K. Simon, EarthStar, Wade Buckholts, and Rob Messick.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.