This document is a topical index to all 38 issues of Katúah: Bioregional Journal of the Southern Appalachians.   Katúah: Bioregional Journal of the Southern Appalachians,  later simplified to  Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The fourth issue of the Katúah Journal focuses on topics such as water quality, hydropower, forest management, the 1984 Cherokee reunion in Tennessee, and the 1984 solar eclipse. Authors and artists in this issue include: Sam Gray, Robin Williamson, Michael Heron, Thomas J. Harshbarger, Jerry West, Margaret Kerr, Thomas Rain Crowe, Bennie Lee Sinclair, Clyde Hollifield, Paul Gallimore, Richard Hotaling, Avram Friedman, Jody Segal-Friedman, Jim Wayne Miller, Marnie Muller, J. Mackey, Chuck Marsh, and Robert Zahner.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The fourteenth issue of the Katúah Journal focuses on varied topics such as the work of stone carver Lloyd Carl Owle, a comparison between the Cherokee Booger dance and the Irish Mummers dance, human beings' place in nature, and an interview with people who are homeless. Authors and artists in this issue include: David Wheeler, Marnie Muller, Tom Underwood, Will Ashe Bason, Martha Overlock, Oliver Loveday, Avram Friedman, Millie Buchanan, Colleen Redman-Copus, Martha Tree, David Wheeler, and Michael Red Fox.

The sixteenth issue of the Katúah Journal focuses on the initiations and rituals surrounding the coming of age and the maturation of young people. Authors and artists in this issue include Tata Andres, Snow Bear, Patrick Clark, Maggie Schneider, Rob Messick, Burt Kornegay, Stephaen Delor, Didier Cuzange, David Wheeler, Curry Morris, Doug Silsbee, John Lane, Clyde Osborne, Will Ashe Bason, Michael Hockaday, Nancy Barnhardt, Thomas Dale Cowan, and Mara Bradburn.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The seventeenth issue of the Katúah Journal focuses on black bears: their place and future in southern Appalachia. Authors and artists in this issue include: David Wheeler, Sam Gray, Paul Gallimore, Mike Pelton, Robert McMahan, Jay S. Gertz, Scott Bird, Richard Harrison, Michael Hockaday, Martha Tree, Marnie Muller, Rob Messick, Richard Harrison, William O. McLarney, Bern Grey Owl, Will Ashe Bason, Douglas A. Rossman, and Troy Setzler.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The eighteenth issue of the Katúah Journal focuses on vernacular shelter: log, frame, stone, yurts, earth-shelters, and membrane houses. Authors and artists in this issue include: Sam Gray, Adam Cohen, Greg Olson, Marnie Muller, Scott Bird, Rob Messick, Snow Bear, Rita Sims Quillen, Julia Nunnally Duncan, Michael Hockaday, Rob Messick, Martha Tree, Barbara Kirby, Colleen Redman, Bern Grey Owl, Douglas A. Rossman, David Wheeler, and Christina Morrison.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The nineteenth issue of the Katúah Journal focuses on springtime, plants, and the New Age movement: gardening with "nature intelligences", rooting blueberries, native plants, and herbal medicine. Authors and artists in this issue include: Michael Hockaday, Clyde Hollifield, Janeice Ray, Lucinda Flodin, Will Ashe Bason, Karen Watkins-Decker, Christina Morrison, Elaine Geouge, Sheli Lodge, Martha Tree, Brian Ellis, Stephen Wing, Diane Yeager, Colleen Redman, Rose Morningstar, and Ellen John.

Beginning this issue, the title of the journal was simplified to Katúah Journal. A quarterly publication, it was published from 1983 to 1993 and was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The twentieth issue of the Katúah Journal focuses on preserving wilderness in Appalachia with a look at land trusts, the Preserving Appalachian Wilderness (PAW) proposal, and Cherokee perspective on relating to land. Authors and artists in this issue include: David Wheeler, Gil Leebrick, Marilyn Cade, Christina Morrison, Laurie Pierce, Judith Hallock, Carol Lawrence, Billy Campbell, Nancy Barnhardt, Chip Smith, Martha Tree, Michael Red Fox, John Grey, Rob Messick, and Tony Fisher.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The twenty-ninth issue of the Katúah Journal focuses on water quality: the Little Tennessee River watershed; Watts Bar Lake; development in the Great Smokies; and solar composting toilets. Authors and artists in this issue include: Leaf Myczack, David Wheeler, William McLarney, Mary Kelly, Millie Buchanan, Snow Bear, William Miller, Patrick Clark, Paul Gallimore, Buck Young, Rodney Webb, Lee Barnes, Jim Houser, Ed Lytwack, Gaston Siniard, Rob Messick, Bob Clark, Marnie Muller, Marlene Mountain, and Susan Adam.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The thirty-sixth issue of the Katúah Journal focuses on wood and its role in mountain life: logging, wood products, and forest stewardship. There is also an announcement that publication of the journal will cease in 1993. Authors and artists in this issue include: Lee Barnes, Frank Hodgin, David Wheeler, Dr. John Wade, Harley Wessman, Nancy McIntyre, Buzz Williams, Robert T. Pershcel, Jesse Jones, Leon S. Minckler, Tucker Windover, Charlotte Homsher, Rob Messick, Julia Vanselow, Frank Vogel, Michael Thompson, Susan Klimczak, Jeff Zachary, Susan Parker Weatherford, Mark Anderson, Hope Walker, and "Pegi."

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The thirty-seventh issue of the Katúah Journal is dedicated to creative works that represent bioregionalism and biovisions: stories, essays, drawings, and local legends. An announcement explains that, while the publication is coming to an end in 1993, there are plans to continue the Katúah Organization which will focus on bioregional projects. Authors and artists in this issue include: Dennis K. Frederick, Rob Messick, Will Ashe Bason, James Rhea, Barbara Wickersham, Fran Freudenberger, Lucile Morgan, Bob Johnson, "Pegi", Charlotte Homsher, Doug Elliott, Michael Thompson, Gerald George, and Rhea Ormond.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The thirty-eighth, and final, issue of the Katúah Journal focuses on sustainable tourism and transportation that is environmentally and culturally responsible. Authors and artists in this issue include: Marcus L. Endicott, Michal Smith, Lee Barnes, Patrick Clark, Mark Schimmoeller, Billy Jonas, Renee Binder, Charlotte Homsher, Douglas A. Rossman, Robert H. Rufa, David Cohen, Brownie Newman, Jasper Carlton, Danielle Droitsch, Stephen Wing, Jan Adkins, Elizabeth Howard, Denise K. Simon, EarthStar, Wade Buckholts, and Rob Messick.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.